Craft

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Tress and Leaves, Mohonk Preserve
Canon 1DS Mk III, f/4 @ 1/15 sec, ISO 200, 115mm

I’m always looking for that different perspective, a different arrangement of the same elements in nature I’ve seen countless times. A group of young trees in a pleasant pattern, with fresh blooming leaves at the beginning of spring. It sounds basic enough that I wouldn’t even go out looking for such an arrangement. But when I saw it, I knew it would make at the very least an interesting image.

Of course it depends on how I see, and that’s not the way you see. And it shouldn’t. I can never experience the way you see things just like you can never experience the way I do. That doesn’t mean one is more valid than the other either. It just depends on how refined and clear you can make your perspective, your vision. That’s the key, and it’s what I spend most of my time on workshops trying to drill into students minds.

We need a language, and that is certainly shared by all of us. The visual language is a part of our evolution, and deeply ingrained into our brains at a very early age. It’s essential to become familiar with every nuance of this visual language. Contrast, light and shadow, shapes, lines, depth and perspective. But after that it all depends on how you as an individual can use that language to tell the rest of us how you see and what your emotional reaction is to what you see. 

In “Trees and Leaves” I wanted to make a relationship between the strong vertical trunks on the left with the leaves on the right. Notice how the pattern of vertical lines becomes weaker as we move towards the right, letting the leaves occupy more visual weight. It’s like making space for each to contribute to the overall image without cluttering the other element.

I was pretty far away, so f/4 gave me just enough sharpness to make the leaves the center of focus, while letting the trunks become mere shapes without any real detail or texture. Again, simplifying the composition as best I could to emphasize what I was reacting to…the beautiful green colors of spring.

Hope that sheds some light on my thought process and helps you develop yours! Stay tuned for another Lightroom workflow video coming later this week.

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Highlands Dawn, Hudson Valley

 Highlands Dawn
Canon 1DS Mk III, 1/6 sec @f/16, ISO 100, 19mm

It’s been a while since I’ve made a Lightroom video tutorial, and I do plan on creating these more regularly based on feedback from many of you. So here’s one of a recent image I made right here in the Hudson Valley – “Highlands Dawn.” A big part of my workflow is having a clear vision of what the final print will look like, and that’s something I find extremely important when processing RAW files. Knowing why you’re making an adjustment, or having a sense of what you want the image to convey will help tremendously when making critical decisions in the processing and overall workflow.

I hope this tutorial helps you think about these things when you’re processing your own images, and improves both your workflow and final result. Please leave any comments or questions below – the feedback helps me for future tutorials, and I’m always willing to help as much as I can.

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Even when I’m not shooting nature and landscapes, I’m always studying light, looking for interesting shapes and patterns, and just trying to train my eye to see things that on first glance might not be so apparent. This is an exercise I always encourage students to practice on a daily basis, and I highly recommend you do the same. In fact, this is something you can do anywhere at anytime, and it will pay dividends when you are out in the field shooting nature, or whatever you’re passionate about. Seeing light, patterns, and shapes is not exclusive to nature, and the benefits of practicing with everyday objects in your  home, out in your back yard, or just wandering around town is worth the time and effort.

This image happens to be inside one of the old historical farms that are still preserved in Smoky Mountain National Park. I was attracted to the repetition of circles and curves, and of course the dramatic light that accentuated all of the different textures. I knew it would be black and white before I shot it, it just seemed like it would make a stronger composition that way.

This image may never become a part of my “landscape” portfolio, but it is valuable nonetheless as I continue to refine my vision. Don’t let your judgements or bias limit how you develop your craft, regardless of the particular subject matter you prefer. I always say you need to have an emotional connection to your subject matter to make a great image, but that assumes your composition, visual design, framing, and technical proficiency are up to the task. That’s what making images like this are all about, not to mention it may spark a creative direction that provides new motivation you. Practice, practice, practice, then find your passion and apply your experience and knowledge.

Grotto Falls, Smoky Mtns

Grotto Falls, Smoky Mtns

Questions or feedback? Please let me know – we all learn in the process.

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Learning From the Masters – John Paul Caponigro

February 25, 2013 Craft

Here’s a great presentation that John Paul Caponigro, son of famed photographer Paul Caponigro, gave recently at B&H Photo in NYC. John is a fantastic photographer, digital artist, teacher, and all around inspiring person who I always learn from whenever I hear him talk. What I enjoyed most about his presentation is the idea of having a […]

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Fresh Snow on a Cold Morning

February 17, 2013 Craft

The sound of fresh snow under my feet, the muted silence of the forest, the stillness of the air—these are all things I love about nature on a cold winter morning. I have hiked the same trail countless times, but when the conditions are right, something special happens, something I can’t really explain yet I […]

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Learning From the Masters – Jay Maisel

February 4, 2013 Craft

One of the highlights of my 2012 was meeting legendary photographer Jay Maisel at PhotoPlus in New York. He’s one of a handful of photographers that have deeply influenced me as a creative person. Jay doesn’t think in terms of subject matter, but instead shoots whatever he likes, visually seeking what he describes as light, […]

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