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Visually Managing Your Data With DaisyDisk

by RR Jr on April 6, 2012

Here’s my system drive showing where most of my largest files are – my Home folder.

One of the challenges of digital photography and computers in general is storage – you never seem to have enough of it. Applications are getting bigger, photo and video files take up huge amounts of space, and we’re generating more and more digital content regularly. Keeping track of it all, and deciding what we need versus what we can get rid of can be difficult, but is crucial to keep your computer running efficiently. For example, you should never let your system drive fill up to 75% capacity or higher because this will impact performance and slow down data access making your computer feel sluggish.

A great way to keep tabs on all of the “stuff” on your drives is via a great new app I discovered called DaisyDisk. This app has a beautiful interface that graphically displays all of the data on a hard drive in an interactive map. Then you can easily spot unusually large files and remove them to recover space. The color coded map gives you an overview of your data, so you always know what your hard disks are filled with.

My MacBook Pro laptop with attached drives

I’ve used it on my system drive, as well as my data drives where I keep my RAW files and video files. I’ve been able to find really large files that were perhaps left over from an old project, as well as duplicate files that I didn’t need. I love the visual approach to seeing what is on your hard drives.

One of my Lightroom Library drives showing sizes of my RAW archives per year.

This app is available on the App Store as well as directly from the developer’s website, and I highly recommend it for those who need to manage large amounts of storage, like photographers!

Unfortunately there is not a Windows version, but there is an alternative called Scanner, however I have no experience with it.

 

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Questions on UV Filters and Long Lenses

by RR Jr on March 29, 2012

I received the following two questions from a loyal reader, so I thought they would make a great post and hopefully be useful and informative for all of you who read the blog.

1. Do you use “protective” filters on your lenses — like the UV filters? 

In general I prefer not to use protective filters for two reasons. First, it makes it a hassle to remove and add different filters when I want to use say a polarizer or an ND filter, which for me is quite often. The front threads on filters (especially UV) are often not as smooth and machined as well as the threads on the lenses, so in my experience screwing filters onto other filters is frustrating at best, especially when working under difficult situations (around or in water, low light, or bad weather).

Second, I don’t like the idea of putting a clear filter over my $1800 (or more) lens simply for protection. If you’ve paid all this money for great glass, you certainly don’t want to put a $100 filter over it. Optics are everything in overall image quality, so I’m very discerning about what I put over my lenses. (Personally I think the UV filter idea is a  great way to up-sell more products at the photo store, but that’s only my opinion.) I find lens hoods can provide significant protection from the elements and can help a great deal if the camera or tripod falls. In eight years of shooting I have yet to lose a lens to damage, though I have come close! You’ll have to evaluate your own situation and shooting style, and what works best for you.

My trusty 70-200 with crucial lens hood. I never leave home without either.

One product I recently came across which I may check out at some point are Xume Adapters – basically a quick release system that uses magnets to add and remove filters onto your lens. They look really cool and would make switching filters so much easier in the field. I’ll write a review once I get my hands on the system.

2. In doing landscape photography, how often do you find yourself taking shots at focal lengths (full frame), say of 150 mm or higher?

My honest answer is not as often as I would like. Longer focal lengths (generally from 70 to 200mm on a 35mm full frame camera) are great for capturing the “intimate landscape”, a phrase coined by Eliot Porter for scenes that lie between the compositional world of the grand scenic and the microcosm. I think this is an area all outdoor photographers can benefit from studying and practicing as it is too easy to get seduced by the grand landscape and want to capture it all.

One key element to any successful photograph is simplicity, and longer focal lengths can help immensely in that respect. While a painter starts with a blank canvas and adds complexity, we start with utter chaos and must remove until the frame, and therefore your message, becomes clear. Wide angle lenses make this extremely difficult to do.

Longer focal lengths also have the visual effect of magnifying and compressing distance by making objects look closer to the viewer than they really are. In other words, wide angle lenses add space between objects, telephoto lenses subtract space. This can be used creatively in the landscape depending on how you want to convey and interpret the scene in front of you. So I would say a 70-200mm lens is essential for any outdoor or landscape photographer that wants to capture both the grand landscape and the intimate details of our world.

Morning Sun, Forked Lake, Adirondacks

 

Twilight Color, Acadia

Have any questions you’d like to me answer about photography, workflow, printing, business, or life in general? Send them in and I will try my best! As always, I love your feedback and comments – thanks again for reading.

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Clearing Storm, Cold Spring, NY

No matter where you turn these days in the world of nature and landscape photography, there seems to be an ever increasing amount of gear and equipment coming at us regularly. Not to mention the constant marketing and emphasis from manufacturers on acquiring more stuff in order to improve our images.

For sure there are many essential items to any photo kit. But I’m constantly asked what makes a good investment, and where can you skimp in terms of your photography expenses.  So after some careful thinking about my own experiences, I came up with 10 things I think are crucial when it comes to serious landscape photography.

In addition, I approach and practice photography from a holistic perspective, so this list is not specific to camera gear, or technology in general. My 10+ years of experience has taught me that there is much, much more to capturing successful photographs than you might realize. So if you think you don’t have the time for the items that don’t require money, think again. I’ve found that looking at my priorities was always a good place to start to find more time!

Top 10 Things to Invest In

-Tripod  I see so many students try to save money with cheaper tripods, only to regret the decision once they get frustrated in the field. Sloppy movement and lack of precision and adjustability, unstable in rough weather, heavy and unwieldy- these are just some of the reasons to purchase a top quality tripod. My two tripods have been through hell, including being totally banged up, submerged in water, used as trekking poles in the snow, and yet they still work great. Choose a carbon model from Manfrotto or Gitzo and you can’t go wrong.

Also, don’t forget a good ball head. There are many to choose from, but Really Right Stuff and Kirk Photo make some of the best. I have the Kirk BH1 and after fives years of abuse is still as smooth as the first day I used it.

-Lenses In my opinion a lens is so much more important than a camera body. Over the course of a decade, you may own multiple camera bodies, but you will probably use the same 3 or 4 high quality lenses. I invested early on in Canon L lenses after I realized the difference in both build and image quality. I still use the same 3 core lenses today though I have gone through several camera bodies and more in the future I’m sure. Great optics will always trump a great sensor, so always buy great glass first. Plus they are really investments since their resale value will always remain high. Here’s a great guide to choosing Canon lenses. 

-Filters It goes without saying that if you spend a few thousand dollars on lenses, you don’t want to use a cheap $35 filter from Best Buy. The glass in the filter needs to complement the lens, otherwise your image quality will suffer. I use filters from B+W and Singh-Ray, mostly polarizers, ND filters (for long exposures), and graduated ND filters. Worth every penny.

-Hiking Boots I hike for most of my photographs, and so my feet are an essential part of my kit.  Being comfortable and sure footed is critical to my safety and good hiking shoes help avoid any number of ailments such as blisters, plantar fascia, or inflamed arches. Without healthy feet, my career is over, so I don’t skimp on footwear, and neither should you. Right now I alternate between a pair of Scarpa’s and Lowa’s depending on the terrain. They keep my feet dry, comfortable, and provide the support I need day after day, week after week, and mile after mile.

Also, invest in a good insole which makes all the difference in the world. After a recent  struggle with soreness, I purchased a pair of Signature EV Ultra’s from Sole that cured my problem.

Hidden Path, Hudson Valley

-Camera Backpack I reviewed my current backpack the Guragear Kiboko in a past article, so be sure to check that out. But again, there is nothing like a backpack that is comfortable, gives you easy access to all of your gear, is lightweight, and can hold everything you need for a photo hike. I also use a ThinkTankPhoto Streetwalker when I need a lightweight pack for cycling or other athletic activity.

-Fitness I’ve written extensively about fitness for photography in the past, and I can’t emphasize enough how important it is for me, and can be for you. The more fit you are, the better you’ll feel both physically and mentally. Both of these are absolutely necessary for successful landscape photography over the long term. For me yoga is the ultimate way to keep my mind and body in peak condition, but any form of exercise is a good investment in your physical well being. It has helped me recover from back injuries, a badly broken ankle, and numerous other “occupational hazards.” Plus my balance, endurance, and flexibility make my work more enjoyable.

Whether talking about photography or your body, “function maintains structure” or the more popular “use it or lose it” are both ideas not to skimp on. Time devoted to your fitness is time well spent, and you will reap the rewards for years to come. At 45, I’m in the best shape of my life, and see no reason why that should change anytime soon, considering I keep putting in the hard work. And numerous studies have shown that it doesn’t matter at what age you start to exercise, the human body has incredible adaptive capabilities for muscle growth, flexibility, and strength. Don’t take it for granted!

Path of Light

-Learning and Motivation Continuing on with the idea of flexing our muscles and minds, inspiration comes to us from learning more about the art of photography, and staying fresh to new ideas. Put in the time to read about things that inspire you, and it will pay you back in your creativity. I try to stay up to date on all the new techniques out there today, as well as stay grounded in the works of the masters. This balance is necessary in my opinion to create work that is both relevant, yet grounded in principles that are universal, such as beauty, emotion, and mystery. Time spent in study, whether days, weeks, or years, will payoff during the split second press of the shutter when you know you’ve captured something special. Turn the TV off and read an inspiring book, it will make a difference behind the camera.

-Printing Paper As Ansel Adams said many times, “the print is the performance”, and for me my work is not finished until I make prints of my photographs. The paper is the main ingredient here, so choosing one that best brings your image to life is crucial to how it is interacts with the viewer. Right now I use Canson exclusively, my favorites being Platine and Photographique. Try a few high quality papers, then settle on one or two and learn how print your images on them – it will make a huge difference.

-Computer Monitor After all the money and time you invest in all of the above, why skimp on the single piece of equipment which shows you the fruits of your labor? Similar to camera bodies, I’ve gone through several computers over the last few years, but still depend on my NEC monitor to deliver true, accurate colors and tones. Your monitor is probably the single most used piece of equipment in digital photography, so choosing the best you can afford is paramount.

I use the NEC PA series monitors which offer a wider color gamut than most monitors. This allows you to see the colors in your images more accurately, improving post processing and helping to create better prints. Save on the computer, spend on the monitor.

-Time Finally we come to the most important investment of all, and that is time and dedication. Nothing will improve your work more than spending time practicing the craft. Many think that practice is only valid when you are in a situation to capture a beautiful scene, but in fact anytime you use your camera, whether in your backyard or snapping photos of family is a chance to learn about light, composition, technique, and many other aspects of image making.

For sure, the nature photographer makes his own luck, which means you put in the time in the field day in and day out in order to be prepared for mother nature’s gifts. Visit the same locations year round and learn how the light interacts with the landscape, and you will improve your work and make better images. “Spray and pray” may get you quick results, but time and dedication will provide the ingredients to make images that convey your vision, experience, and sensitivity about nature.

Twilight on Storm King

Conclusion

Regardless of whether you’re a beginner or seasoned pro, I hope this list provides some food for thought, and inspires you to think about what really matters to your photography, from both a time and financial standpoint. I’d love to get your feedback, as well as other suggestions. Thanks as always for reading.

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BTL Podcast – Winter Gear for Landscape Photography

January 12, 2011 Photo Gear

This new video on winter gear and apparel for landscape photography coincides with the launch of the new Beyond the Lens Video Podcast! My plans are to produce a monthly video podcast where I can share resources and useful knowledge in a format that I believe offers a great experience for viewers. I have a [...]

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Exporting Images From Adobe Lightroom For The iPad

November 7, 2010 Photo Gear

I’ve had an iPad for some time now, and it has proven to be a great tool for showing my work, whether to potential customers at art shows, corporate presentations, or just sharing images with family and friends. The combination of the size, portability, and amazingly beautiful display seem to have been made for photographers [...]

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GuraGear Kiboko Backpack Field Review

October 24, 2010 Photo Gear

A few months ago I began searching for a new backpack, since my previous workhorse bag, the Kata K102 was becoming too small and limited for me. As many landscape and outdoor photographers know all too well, finding the right backpack can be a frustrating experience, and I’ve tried and purchased more than I want [...]

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