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Arches in Spring Workshop Report – Part II

by RR Jr on May 21, 2012

Turret Arch Sky

Turret Arch Sky, Arches NP

I’m finally back from 10 days in Moab, Utah leading the Arches in Spring Workshop. It was a great experience with a wonderful group of enthusiastic students that all captured some amazing images during our 5 days there. Although we all shoot together in the same locations, it’s always amazing to see the variety and differences in the images, which reflects each persons vision, experiences, and unique perspective on the landscape. Some students focused on the grand view, others were fascinated by the small details and intimate landscapes, but regardless the possibilities were infinite and it showed during our photo critiques.

We had a special opportunity on our first day to take a guided tour of the Fiery Furnace, an area of Arches National Park that can only be explored with a special permit. Lead by a National Park Service ranger, it gave all of the students a much greater appreciation of the area, including the geology, wildlife, and natural significance of the fragile ecosystem. I’m a big advocate of understanding your subject matter as much as possible, and this was the perfect way in which to do it.

Our days were very long and physically demanding, starting at 4:30am and ending at 10pm. Based on the strength of the group, I decided to visit some of the more remote locations in the area, so we did a fair amount of hiking including several 3-4 mile strenuous hikes to hidden arches, lush canyons, and amazing rock formations.

We also visited Canyonlands National Park and Dead Horse State Park, which offer fantastic views of the classic southwest landscapes. Again and again I stressed to the students how these iconic locations can be as personal as you make them depending on how they make you feel and what you want to convey. Just because they have been photographed countless times does not mean the possibilities are limited, and each of us has a unique perspective that is as worthy of expression as anyone elses.

During the photo critiques, I asked all of the students to comment on each others images. I think this provides the best possible learning experience since we all share our common knowledge and way of seeing. Of course I provided my own instruction and perspective, and as each day passed, I noticed each student utilizing more and more of my instruction in their images. It’s great to see progress in such a short period of time, mostly due to the concentrated nature of this kind of workshop. Having the camera in your hands in an inspiring environment for 5 days straight is easily the best and fastest way to take your photography to the next level – just ask the students!

For me the highlight of any workshop is seeing the passion and excitement that students get from nature, and exposing them to something greater than their images. It is the feeling, the emotion, and ultimately the inspiration that these places create in all of us that I believe make us better photographers and creative individuals. The hours, days, and many miles of hiking all seemed to pass effortlessly because we were all moved to express ourselves as best we could through the wonderful language of photography. Each one of these experiences adds to our vocabulary, and all of us became better photographers because of it.

More than anything else, I want students to come away from a Beyond the Lens Workshop with one main theme, and that is that I care deeply about their images, their progress, and most of all each of them as photographers and people. I obsess over every detail of a workshop; the locations and starting times, the direction of the sunlight at sunrise and sunset, the variety of opportunities, the food we’ll eat, and of course the safety of each student. I don’t believe in “secrets”, so I volunteer as much information as I can to make the trip successful for everyone. Because I treat each workshop like I treat my own personal photo trips, I know I have a chance to offer students something really worthwhile.

A big thank you to all of the students for their trust and confidence. I’m looking forward to returning to Utah next year for the 2013 edition of the Arches in Spring workshop.

 

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Winter View, Hudson Valley

As any outdoor photographer knows, winter can be a challenging time to get inspired about shooting, especially when the weather turns cold, the colors seem drab, and we long for the warm days of summer. Surprisingly, here in the northeast we’re experiencing some very warm weather, and winter seems all but gone. Even so, winter can provide many unique and interesting conditions, and your favorite locations can become new and fresh again with just a little imagination and letting yourself become open to discovery. Time, patience, and some luck (which we all know comes from hard work) all play a role in your success as a nature photographer. Here as some tips and ideas to keep you motivated while me move towards greener days ahead.

1- Focus on textures that help provide visual interest

Even in the grey days of winter, look for interesting textures that provide visual rhythm, something that keeps the viewer interested, whether a pattern or a shape. Here I focused on the foreground, which I thought had amazing detail that gives the eye something to spend time on, and keep a viewer from wandering out of the image.

Winter Light, Constitution Marsh

I always teach that a photograph should have a clear subject, and here it’s definitely the grasses in the foreground. Find patterns that help emphasize textures, and use optimal apertures , the sweet spot of any lens, to capture as much detail as possible. For most 35mm lenses, f/8 to f/11 works best.

Above you can see how I try to lead the eye of the viewer through texture, light and shadow, and perspective. The foreground detail really provides the foundation for interest, and the highest areas of contrast (where the arrows are pointing) pull the eye back into the image creating depth and dimension.

2- Always be aware of light

Awareness of light, its direction, quality, movement, intensity, and emotional impact is a crucial skill to practice. I never get tired of studying light, and always learn something new each time I go out into the landscape. Great light works in any situation, just as emotional impact will always prevail over a technically perfect image. I watched the light begin to illuminate the tops of the mountains in the background, and knew by the color and quality it was special.

Winter Light, Constitution Marsh

The challenge for me was deciding how much of the mountains I wanted illuminated. Too little and the intense color doesn’t really have the impact I want – too much and the feeling I want to convey, involving the viewers imagination, is gone.

Successful composition is a question of balance and simplicity – as Edward Weston famously said “Composition is the strongest way of seeing.” Balancing the foreground details, colors, and shadows with the richness and color of the light is the essence of this photograph. Whether I succeeded or not is up to the viewer, but for me it captures how I felt about that special moment in time that morning.

3- Experiment with different techniques

Because the scene was so wide, I also decided that it would be a panorama, so I shot 5 horizontal images, then stitched them in Auto Pano Giga. This is a great piece of software for stitching of images, and I find it consistently does a better job than Photoshop in regards to alignment and smoothness.

For this I setup my tripod and mounted my camera with a bubble level attached to the flash port. Once I made sure the camera was perfectly level, I could then rotate it horizontally without any worries about the horizon shifting significantly. I captured the 5 images in manual mode to keep my exposure settings consistent, overlapping each about 25%. I approximate the overlap visually in the viewfinder, and with practice it becomes easy – when in doubt, play it safe and capture more than you think you need.

I processed the 5 images in Lightroom, exported them to Auto Pano, and when the stitch was completed successfully, re-imported back into Lightroom for final tweaks and adjustments. This included cropping to remove the black edges, and some slight dodging of the foreground.

4- Focus on details

While this should be on your mind in any kind of weather, cold weather turns water into a myriad of different abstract shapes, textures, and reflective surfaces – all worth exploring with your camera. Remember to fill the frame as much as possible, use leading lines to lead the viewer into the image. While many of us know the rule of thirds, try and forget it for a bolder composition instead. Often it’s when the rules are ignored that you free yourself to experiment and take chances.

Broken Ice, Hudson River

Broken Ice, Hudson River

Long Dock Ice

Long Dock Ice

These are a few tips and ideas that I worked with on my recent shoot. Mostly I hope they inspire you to get out and enjoy nature, regardless of the weather.

Please leave your feedback and comments below – I’m always happy to answer questions.

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Landscape Arch, Arches National Park

Landscape Arch, Arches National Park

 The Beyond the Lens Workshops for 2012 have been listed on the website for a few weeks now, but I thought I would mention them here as well and go into some specific details for those who are interested.

First, I’m really happy to be leading a 5 day workshop  in one of my favorite locations, Moab Utah. We’ll be visiting several fantastic locations in the region including Arches National Park, Canyonlands, Dead Horse State Park, and weather permitting the La Sal Mountains. While this is a very popular location for landscape photography, my many visits have proven time and time again that there are endless possibilities for image making. It will be an intense and exhausting week, but the rewards will be worthwhile I am sure.

• Download the Spring in Arches Workshop Guide ebook

The Adirondack workshop will be taking place in September this year to take advantage of classic fall color conditions. We’ll be based in Lake Placid once again, and students will have plenty of opportunity to photograph pristine lakes, mountain views, and get a strong feel for intimate forest landscapes.

There are several Lightroom workshops, and I’ll probably be teaching Lightroom 4 as it looks like it will be officially released by the time the workshops are held (if not I’ll cover it anyway). I’ll have an upcoming post soon about my favorite new features in this latest version, they are worth the upgrade!

As always, my priority is to create a fun, relaxed, and stress free environment, where the focus is on you and your photography. I’m happiest when you’re happy and making real progress – there is nothing more important for a successful workshop experience. Past students receive a 10% discount on any future workshops – email me for the code.

I’m working on some new workshops for 2013, including Prince Edward Island in Canada, and The Smoky Mountains in North Carolina -stay tuned.

Any questions or concerns, please let me know in the comments below – thanks for reading!

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The Making of “Clear Water, Hudson River” Panorama

January 4, 2012 Craft

I received a few emails with questions about this months wallpaper photo “Clear Water, Hudson River”, so I thought it would be a good opportunity to write a “Making Of” article for the benefit of all readers. Planning This photograph was very much planned in advance in the sense that I needed a very specific [...]

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Using Ideas and Interpretation in Landscape Photography

October 20, 2011 Craft

One of the most common questions I get from students is how do I know when I’m finished processing an image?” A related question is how do I distinguish between processing and excessive manipulation? Of course these are questions that are difficult to answer in a general sense, and often depend upon the photographer, his experience, [...]

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Landscapes and Seascapes from Nova Scotia – pt I

August 30, 2011 Photo of the day

I’ve been traveling in New Brunswick and southern Nova Scotia over the last two weeks on a much needed family vacation, so that’s the main reason for my lack of activity on the blog recently. I typically try and take some time off in August before the busy fall schedule starts, both personally and professionally. [...]

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