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Creating A Customer Experience

by RR Jr on December 11, 2009

I have a simple rule for working with potential and current customers: think about how I would like to be treated in any situation, then go as may steps as I can beyond that. In today’s competitive marketplace, only the remarkable stands out, and that’s always been my goal, whether it’s the work I produce, how I display and  present it, or how I interact with others. I think about how to achieve this goal constantly, in fact you can say I’m obsessed about it.

Here are a few examples of what I’m talking about:

1. What do you do when you’ve printed, matted and framed a large print for a customer, and just before you put it in the box for shipping realize that there are barely visible streaks of glass cleaner on the inside of the glass that can only be seen when you look at the print under a bright light at at a certain angle? Also, UPS is due to pickup in 15 minutes, and it has to ship out that day to make the promised delivery time?

My only choice was to take the frame completely apart, re-clean the glass, assemble again, MAKE SURE the glass was completely clean by having my quality control department run an inspection (wife and son), then package the frame. At this point I’ve missed the UPS truck, so I had to drive to the nearest UPS drop-off 15 miles away to ensure delivery as promised. Would the customer have noticed the streaks? Doubtful, but I noticed, and that made it unacceptable.

2. What do you do when you ship a framed print to a new customer and the glass breaks during shipment?

This happened twice recently. In one instance, I called a local frame shop and pre-paid to have the frame picked up, have a new piece of glass installed, then delivered to the customer the same day. In another instance, the frame was damaged as a result of the glass breaking, so I made a completely new print, and personally delivered it to the customer’s home. Were there other ways to handle this? Sure, but none that would have been acceptable to me.

There is nothing like building a true relationship with a customer, and if I’m fortunate, gaining a friend. Not only do I love what I do, but I feel honored when someone is willing to purchase one of my prints. It truly means a great deal to me, and I feel a responsibility to reward that customer with the best experience I can provide. This has many benefits down the road, both to the customer and myself. I’ve learned that referrals are like gold, but they must be earned to be truly effective. Once earned, they are more powerful than the biggest advertising or marketing budgets. I’ve created a relationship one person at a time, and that is truly satisfying.

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I’m at the One Of Kind Show in NYC this weekend, and you can be sure I’ll be focusing on building new relationships with people who like and enjoy coming closest to nature.

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One of a Kind Show in NYC – Dec 11-13

by Brenda De Leon on December 9, 2009

Robert Rodriguez Jr will be exhibiting at the One of a Kind Show and Sale NY on Dec. 11 – 13 (Preview Night Dec 10)  located on Pier 94, 12th Ave at 55th St. The One of a Kind Show and Sale NY will be a three and a half-day holiday shopping show, featuring the best in fine art and fine craft from more than 200 unique artists, artisans and designers from across North America.

Robert’s latest landscape photography will  include images from the Hudson Valley, Maine, and the Adirondacks in canvas, framed, and matted prints. The latest 2010 Hudson Valley Wall Calendar will also be available together with notecard sets.

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One Week Until The One of A Kind Show in NYC

by RR Jr on December 3, 2009

I’ll be very busy this weekend getting ready for the inaugural One Of A Kind Show in NYC next weekend. Held in Pier 94 on the West Side of Manhattan, it is definitely the biggest and most expensive show I’ve ever participated in. Doing first time shows is always a risky proposition, but given the location and the subject matter of my work (Hudson Valley), I feel fairly confident and I’m looking forward to the experience.

I have to say the amount of promotion that the show organizers have done so far is truly incredible, with major spots in newspapers, TV, magazines, Facebook, Twitter, brochures, and other promotional materials. They gave me 10 special VIP passes for my top customers that gives them free admittance, plus extras like drinks and shipping discounts- the red carpet treatment. There will be a preview night on Thursday where artist’s get to highlight their work, and meet media and press.

As usual, I’ll be working late in to the night this weekend getting everything ready, with a combination of canvas and framed prints. I’m also introducing new “digital mat” prints that I hope will allow me to present a high quality format at a more affordable price point. Basically, the print and mat is created in Photoshop, printed on a really nice watercolor paper, mounted on a rigid board, then framed without glass. I coat the print with a protective coating for dust and UV since there is no glass to protect it otherwise. This creates a very unique look, where the print is much more dimensional, has no glare, and the mats look incredibly convincing.

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Is this for everyone? Of course not, and I don’t mean them to replace real traditional mats. In fact, I just recently purchased an Esterly Standard Speed-Mat for my studio (it’s mounted on the wall in the 2nd and 3rd photo) to give me more flexibility and efficiency in cutting mats. I love the look of double mats for large prints, and the Speed Mat makes cutting them a piece of cake.

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But I’m always looking for different ways to give potential customers options, and think this is a great way to get a unique print in an office and home setting where cost and/or glare is a problem. I’ve even used these in a large medical office, and they’ve gotten a great response. Plus they just look cool!

As I’ve said here many times before, selling at an art show is hard work, but it’s a great feeling when that work pays off financially, and I’ve been very fortunate in that regard. But in all honesty, it’s the ability to share my enthusiasm and passion for nature with others that really makes the hard work worth it. This particular show will require 12-14 hour work days, and that doesn’t include time in the studio in preparation. But I get tremendous satisfaction from meeting and talking to people about their interests in nature and photography. And given the rather solitary work of a landscape photographer, it’s a welcome change.

More to come on the show – stay tuned!

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