In all my years of printing and teaching printing workshops, the single most important thing…
A recent discussion in the CreativePath Community forum centered on the issue of trying to figure out the best aspect ratios for printing an image on standard paper sizes. This also happens to be a common question in my printing workshops.
I suppose the question stems from the desire to maximize the use of paper so as not to waste any unnecessarily. For example, printing an image from an M4/3 camera onto an 11” x 17” paper (A3) with 1” borders on one dimension leaves 2.5” borders on the other. In an attempt to use more of the paper, you might be tempted to crop the image to fit the paper.
I vehemently disagree with this idea—here’s why. Composition is the most important aspect of any photograph, so why compromise that simply for an arbitrary paper size? I know fine art paper is expensive, but why are you printing your images if not to share your very best with the world?
Is your investment in paper more important than your creative vision?
My approach is to capture the best possible composition I’m capable of in the field. I rarely crop—not because of any ideology, but because I don’t want to lose any resolution that might compromise print sizes. Of course if it strengthens the image, then I’d be foolish not to crop. I’ve also found that this approach actually compels me to look and see more carefully in the field, which is the most important thing you can invest in.
Once I have a composition I am happy with, it gets printed that way regardless of the paper size. If the borders are uneven, I happily trim the paper. That may not use the paper most efficiently, but a viewer could care less about how efficiently you used the paper—only that the composition is as strong as possible to convey whatever it is you want to convey.
The only exception to this situation I can think of is in portraiture where the subject is centrally located and the background is often a fade of some dark color. In this case, cropping is much more forgiving and doesn’t change the composition much at all.
But when there are elements that go to the edge of the frame and beyond, they cannot be ignored simply because they may seem less important. Every part of the rectangle plays an important role in composition, whether it’s positive or negative space.
Don’t compromise your vision because of some standard that doesn’t help the message in any way.