Olympus E-M1 Mk II, 1/100 sec @f/8, ISO 200, 24mm, no filters If I had to compare my approach in landscape photography to another art form, the one that immediately comes to mind is jazz, and specifically jazz improvisation. That’s no surprise considering it’s what I listened to most as a teenager and studied in my four years at the…
Printing your own work is one of the most rewarding and satisfying aspects of photography. It adds a physical experience to your images and may give you insights that are difficult if not impossible to achieve any other way. Another benefit of printing is that it helps you look more deeply into the things that inspire you photographically, and in…
I’ve been deep in the final production stages of the Printmaker Masterclass, which launches next Monday on March 19th. It’s my first on-demand workshop that is completely self—directed. Students can take the course whenever they like with lifetime access, and I will be updating and adding content to the course over the coming year to increase its value as a…
I’ve written about photographing familiar locations many times, yet it remains a challenge for many, including myself. Novelty is, of course, one of the main reasons we think better photographs are available elsewhere, instead of in the same familiar places. I know the feeling well since I’ve been guilty of thinking the same thing. The excitement of visiting a new…
I’m extremely happy to announce that registration for my new online Printmaker Masterclass is now open. The course won’t be fully available until March 19th, 2018, but you can register now for some pre-launch promotions. More on that later. This is basically an online version of my very popular and intense 2-day printing workshop that I give in my studio…